Indian Culture · Indian Religion · Satyam Shivam Sundaram · Spirituality beyond Religion · Words of The Mother and Sri Aurobindo

Of India’s Destiny and Indian Painting

Going through the pictures of some of my personal favourite paintings representing various Indian schools and traditions, including some by famous Indian artists, my mind started to wonder if these paintings have something to say about the past, present and future of India’s civilisational march.

The result is this small tapestry that interweaves the pictures with words of Sri Aurobindo, words that express the Truth of India’s destiny.

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Durga - kangra school
Durga, Kangra school, Artist: Unknown

“India can best develop herself and serve humanity by being herself and following the law of her own nature. This does not mean, as some narrowly and blindly suppose, the rejection of everything new that comes to us in the stream of Time or happens to have been first developed or powerfully expressed by the West. Such an attitude would be intellectually absurd, physically impossible,and above all unspiritual; true spirituality rejects no new light, no added means or materials of our human self-development.It means simply to keep our centre, our essential way of being, our inborn nature and assimilate to it all we receive, and evolve out of it all we do and create.”

 

Sati - Nandlal Bose
Sati, Bengal school; Artist: Nandlal Bose
Antar Jyoti-S H Raza
Antarjyoti, Modern abstract; Artist: S. H. Raza

“Religion has been a central preoccupation of the Indian mind; some have told us that too much religion ruined India, precisely because we made the whole of life religion or religion the whole of life, we have failed in life and gone under. I will not answer, adopting the language used by the poet in a slightly different connection, that our fall does not matter and that the dust in which India lies is sacred. The fall, the failure does matter, and to lie in the dust is no sound position for man or nation. But the reason assigned is not the true one.”

 

padmapani
Padmapani, Ajanta cave 1 (Photo by Suhas Mehra)

 

ganesh-janani-by-abanindranath-tagore
Ganesh Janani, Bengal school; Artist: Abanindranath Tagore

 

“If the majority of Indians had indeed made the whole of their lives religion in the true sense of the word, we should not be where we are now; it was because their public life became most irreligious, egoistic, self-seeking, materialistic that they fell. It is possible, that on one side we deviated too much into an excessive religiosity, that is to say, an excessive externalism of ceremony, rule, routine, mechanical worship, on the other into a too world-shunning asceticism which drew away the best minds who were thus lost to society instead of standing like the ancient Rishis as its spiritual support and its illuminating life-givers. But the root of the matter was the dwindling of the spiritual impulse in its generality and broadness, the decline of intellectual activity and freedom, the waning of great ideals, the loss of the gust of life.”

 

Jamini Roy2
Sita-haran; Artist: Jamini Roy
Madhubani
Ardhnarishvara, Madhubani from Mithila; Artist: Unknown
Raja_Ravi_Varma_-_Mahabharata_-_Shakuntala
Shakuntala, Western Academic art style, Artist: Raja Ravi Varma

 

“Perhaps there was too much of religion in one sense; the word is English, smacks too much of things external such as creeds, rites, an external piety; there is no one Indian equivalent. But if we give rather to religion the sense of the following of the spiritual impulse in its fullness and define spirituality as the attempt to know and live in the highest self, the divine, the all embracing unity and to raise life in all its parts to the divinest possible values, then it is evident that there was not too much of religion, but rather too little of it—and in what there was, a too one-sided and therefore an insufficiently ample tendency.”

 

MF Hussain krishna-1
Krishna, Progressive artists group, Artist: M.F. Hussain

 

 

Roy_Jamini_Untitled (Three Figures)
Three figures, Bengal folk art Artist: Jamini Roy

 

“The right remedy is, not to belittle still farther the age long ideal of India, but to return to its old amplitude and give it a still wider scope, to make in very truth all the life of the nation a religion in this high spiritual sense. This is the direction in which the philosophy, poetry, art of the West is, still more or less obscurely, but with an increasing light, beginning to turn, and even some faint glints of the truth are beginning now to fall across political and sociological ideals.”

 

Amrita Shergill bride-s-toilet-1937
Bride’s toilet, European post-impressionism inspired by Ajanta murals; Artist: Amrita Sher-gil
DSC_6258 (679x1024)
Krishna-Radha, Pattachitra from Odisha; Artist: unknown

“India has the key to the knowledge and conscious application of the ideal; what was dark to her before in its application, she can now, with a new light, illumine; what was wrong and wry in her old methods she can now rectify; the fences which she created to protect the outer growth of the spiritual ideal and which afterwards became barriers to its expansion and farther application, she can now break down and give her spirit a freer field and an ampler flight: she can, if she will, give a new and decisive turn to the problems over which all mankind is labouring and stumbling, for the clue to their solutions is there in her ancient knowledge. Whether she will rise or not to the height of her opportunity in the renaissance which is coming upon her, is the question of her destiny.”

~ Sri Aurobindo, CWSA, Vol. 20, pp. 38-39 (emphasis added)

 

FB_IMG_1557931655626
Jamuna, Bengal school with Japanese wash; Artist: Kshitindranath Majumdar
Krishna-Radha-Kangra
Krishna Radha, Pahadi school; Artist: unknown

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